Gulf
Robert Okaji

    for M.V.

Which looms wider, its sky or water? The birds, here, too,
reconvene in greater streaks. This morning I stomped around
Paisano, examining the grasses and soil, the rocks and various
configurations of clouds, and listened to experts discuss
prescribed burns and how the land’s contours can determine
sequence and efficacy. The mockingbird whose territory
we occupy has disappeared. Perhaps he’s just moved on.
I heard a red-bellied woodpecker yesterday, but never saw it,
and of course the rattlers at the ranch are still underfoot, just
less apparent this time of year. I looked closely, as always,
but never spied one. What else did I miss? The rich people
on the bluffs bulldoze habitat, poison creeks and erect their
Italianate villas, caring not a whit for the breeding warblers
or the landscape, although they might pony up a few bucks
for an environmental charity if sucked-up to properly. Given
a choice between the two, I’d pick the snakes every time;
they don’t smile or offer spiked drinks and stories of their
conquests, and usually warn before striking. Even a minor
deity might take offense and crack open a new fault in the
earth between this place and theirs, widening it by inches
with each presumption, every falsehood, whether shaded
in unrelated facts or illogic, until that shifting space could
be spanned solely by a bridge planked with truth and good
manners, and, yes, by mutual consent. Looking back, I
find many examples of these bridges collapsing in utero,
but we keep trying. Your story of the gulf coast storm
reminded me of weeks spent on calm water, and seeing,
no matter where I turned, blue meeting blue, from horizon
to horizon, the sky never broken by bird or cloud, born
anew each day, always looking between, never down.



Robert Okaji is a half-Japanese poet living in Austin, Texas. His work has appeared or is forthcoming in Posit, Glass, High Window, Steel Toe Review, Panoply, Eclectica and elsewhere.